Thursday, January 23, 2020

The Mythical Divine :: Art Artistic Architecture Essays

The Mythical Divine It is the mystery of the past which sparks the imagination of the future. The remnants of lost cultures, ever enticing with their fractured story, have continually piqued the interest of humankind. Ancient Egypt reflects 3000 years of splendor, serenity and mystery. This enigmatic civilization has become the focal point of scholarly study and artistic reproduction over the last 200 years. It has been unsurpassed in use and depiction as a model to convey many differing images. One, most unique, replication of dynastic Egypt is Pharaoh's Lost Kingdom amusement park in Redlands, California. It is a composite of ancient art and architecture used to recreate a world of mystery and intrigue in a modern day setting. The park rises seemingly out of nowhere just as the Giza pyramids project from a barren desert floor. As you enter, you embark on a journey from the monotony of everyday life to a sacred mystical landscape. In his book, Spiritual Path, Sacred Place, Thomas Barrie states: "The sacred place was never an impassive backdrop;... it was a dynamic place, often charged with emotional energy and experienced spatially and temporally as its users moved through its spaces or entered its sacred enclosures." (p.54) For the participant, especially children, this emotion of complete awe mixed with fantastic delight is evoked as soon as one gazes upon the central building of the park complex. The entrance to the park, the line separating what is real from the imaginary (the constructed), is guarded by a huge sphinx. Here, as in Egypt: "[Its] essential function has been to embody welcome and protection." ("Egyptomania" p.22) Yet the creators of the theme park have gone further. They have deliberately replaced the Pharaoh Khafre's head with the funerary mask of King Tutankhamun. This coupling is an attempt to immediately give the visitor two extremely recognizable images. The typical traveler is left mystified by the immensity of the statue, unaware of the mixed icons. In many types of building plans: "The demarcating of sacred ground was typically accomplished architecturally by the form and geometry of the sacred place." (Spiritual Path, Sacred Place p.56) The central building of Pharaoh's Lost Kingdom applies this ideal to announce the grandeur and monolithic proportions of its premises. Five large pyramids sit atop the rectangular building pointing toward the sky. Some are reminiscent of Djoser's stepped pyramid while the central one is a smaller version of the great pyramids of Giza.

Wednesday, January 15, 2020

Seattle University Essay

Why do you feel that Seattle University is a good match with your educational goals? Seattle University’s Jesuit teaching makes this college one of my top choices. My approach to education is eerily similar to Seattle University’s mission statement. I thrive best in an environment that focuses on educating the whole person through academics and spirituality. Since faith is a key component of my life, I want an education that views intellect and faith in a complementary way. Combined with Seattle University’s emphasis on community service, I will also learn how to make an impact both locally and globally.As I grow into adulthood I want to push myself. I also want to find new ways to make a difference in my surrounding community. Through Seattle University’s various service programs, I can nurture that goal. Albeit there are many Jesuit universities scattered throughout the country, Seattle University’s Matteo Ricci College of Humanities sets it apart from all others. I am extremely fortunate to attend John F. Kennedy Memorial High School where Matteo Ricci classes are offered. I am currently taking the Public Policy/Social Justice course.The class has uncovered various avenues of critical thinking that I have never considered before. I have discovered more about myself in this one semester than I have in the previous three years of high school. I fit into the groove of Seattle University courses and their well-rounded, introspective distinctiveness. Finally, Seattle is home. I was born and raised in this eccentric city, a city whose culture is reflected by Seattle University’s student body. I prosper in diverse surroundings, because I enjoy being exposed to many different types of people and cultures. I believe there is something to learn from all walks of life.

Tuesday, January 7, 2020

Corporate Average Fuel Economy ( Cafe ) Standards Proposed...

Introduction Corporate Average Fuel Economy (CAFÉ) standards proposed for vehicles produced between 2017 and 2025 were promulgated through the joint efforts of the National Highway Traffic Safety Administration (NHTSA) and the Environmental Protection Agency (EPA) utilizing regulatory powers granted in their charters allowing them to regulate carbon dioxide emissions from vehicles and other greenhouse gas producing sources. (Nichols, 2012) The essence of the proposal was that by 2025 vehicle manufactures would be offering for sale cars and light trucks that averaged almost 50mpg. This level of fuel economy would result in a projected reduction in national dependencies on almost 4 billion barrels of oil and close to 2 billion tons of greenhouse gases namely carbon dioxide over the life of the new more efficient vehicles. 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